New D&AD Trophies

New to this year's D&AD Awards will be two physical awards for both In Book and Nominated work: slices of a coveted Yellow Pencil...

The new trophies have been designed by Turner Duckworth and will sit alongside the Yellow, Black and recently unveiled White Pencils. "The slices of pencil are relative in relation to the size and material of the Yellow Pencil award," explains TD's Bruce Duckworth. "They are also exactly the same shape and proportion of the D&AD hexagonal logo. Of course they are made of wood, to be quirky like the Pencil itself."D&AD President Simon Sankarayya added "

For many years we have endeavoured to communicate more effectively the value of winning at any level in the D&AD Awards and the slices will undoubtably help to build awareness of the great level of creativity that it takes to be recognised by our juries."

Following the recent confusion over work that was "shortlisted" for D&AD (work that survived the first round of judging but was not awarded the new physical awards certainly go some way to further celebrate the achievement of having work in the D&AD Annual and nominated for one of the top Pencils.

The new slices will be launched at the forthcoming D&AD Awards evening, which takes place on June 16 at London's HAC, Artillery Gardens.

One thing i would like to mention......WHERE IS THE LEAD IN THE MINI PENCILS????

The Environmentally Harmful D&AD Annual- Creative Review

This morning I came across this wonderful article by Mike Dempsey from the Creative Review team. He makes some good points about D&AD's sheer lack of thought to how wasteful and environmentally harmful their annual publication is.

In 2007 D&AD sent out an oversized pizza box containing a bright yellow satin flag brandishing their logo. It was given to a variety of D&AD members around the world. They were asked to do something snazzy with it. A selection of the results was to be featured in the 2007 annual. The whole idea rather incenses me because of its utter waste and I felt the need to protest. This was my response to D&AD’s request…

Needless to say my little effort didn’t grace the pages of the annual nor was my protest acknowledged by D&AD. But thanks to Creative Review it found a cyber audience and started to whizz around the blogosphere. I mention this because I have been thinking about the future of the D&AD Annual.  

Apart from the first catalogue style annual in 1963 I have every copy of the D&AD Annual. I still treasure many of them. But as much as I love books, over the last decade the D&AD Annual has, to my mind, become redundant as a vehicle to best record the year’s creative highlights in this digital age...  

You had to buy the annual in the early days. Later it was given out free to members but you had to collect it from D&AD. Later they organised a free delivery service. For those of you who are members of D&AD you will be well aware of the rapid increase in size of the annual over the past ten years. This reflects not only the new areas of design but now includes the growing international entries. 

Last year’s edition of the annual weighed in at a hefty 3kg. It was delivered to me at a cost, I guess, of around £20 by one of those smartly dressed UPS drivers.

I signed for it, reached for my still trusty scalpel and slashed my way through the dense cardboard protective packaging and it’s inner plastic shrink-wrapping. It left my studio floor full of debris and me holding the annual fearing a hernia under the weight. There followed a cup of coffee and a ten-minute thumb through – something I’ve done for the last two decades.

Then the tomb was snapped shut and added to my bookshelf, taking its place chronologically with its predecessors. There it will stay in quiet serenity. It was the sight of the discarded packaging and the weight of the annual that got me thinking about the sheer effort and expense to deliver this bibliographic extravaganza to my door.

Here is the DNA of the 2010 D&AD Annual…  

On top of all that it travelled 10,000 miles (it was printed in China) to reach me. And all I do is give it a cursory glance as most of the images are too small and lack detail. Then it’s on the shelf with its old buddies. I am sure I am not alone in this casual act.  

We are now very well bedded into the digital age (no longer ‘new media’) with its ever-increasing advances. And with a new D&AD president in office, and importantly, the first from a digital background I would like to pose a question. When is D&AD going to address this issue?